DATE ORGANIZATION JOB REMUNERATION € PREP/ PROD DAYS INSTALLATION DAYS DAYS PRESENT (TALK, TOUR, EVENT) TRAVEL/ TRANSPORT COVERED? OWN PRODUCTION EXPENSES? NEW WORK? ADDITIONAL NOTES
3 months between 10.20 and 4.21 Centre National de l'Audiovisuel Residency, production of work 2000 per month - - - Yes No Yes (16.10.2020) This is for the residency period, more details will follow. So far 1000 calculated into the overall 'earned' sum and 14 days.
8.5.20 - 31.5.20 Journées photographiques de Bienne (delayed for '21 due to covid) Group expo 300 3 - - No No No Payment in two halves, one in 20, one in 21.
29.6.20 - 20.9.20 Les Rencontres d'Arles (canceled due to covid) Group expo Uncomfirmed but was budgeted for 1000 6 - - No No No The remuneration was going to be applied to through Mondriaan.
18.9.19 IDFA & Melkweg Talk 150 2 - 1 No No No
6.9.19 - 13.10.19 Unseen Group expo (at Melkweg) 500 +/- 30 2 2 No No Yes
29.3.19 - 27.4.19 Pennings Gallery Award show - 2 0 1 Yes Publications x 20 (€ 100) No
12.4.19 - 16.6.19 Bureau Europa Group expo 300 0 0 0 - No No First time I got a contract for lending works out
02.02.19 World Press Photo Talk 200 2 - 1 No No
21.2.18 - 10.03.19 Migrant Journal / Artefact Group expo 150 1 0 0 - No No
01.12.18 - 03.01.19 Lianzhou Photo Group expo 650 3 1 1 Yes No No
23.11.18 Unseen Bookmarket Talk - 2 - 1 No No -
23.11.18 - 23.02.19 FOTODOK Group expo 250 1 2 1 Yes No No
15.11.18-15.01.19 Stroom Expo in lobby ‘opzoek’ 250 (+ 200 material budget) +/- 20 3 0 Yes No Yes
06.07.18 oneacre.online Article + talks on radio & Witte de With 150 8 - 2 Yes No Yes
25.05.18 - 08.07.18 Heden gallery Duo show - 2 2 2 Yes Yes No
19.05.18 - 15.07.18 Stroom Group expo 175 0 1 1 Yes Same material as shown in Milan No
17.04.18 - 23.04.18 Royal Academy of Art (Salone del Mobile) Group expo Each artist charged 250 2 3 3 Shipment of work covered, travel and stay for artists not. Publications x 100, Print and production covered No Voluntary to go to Milan but those of us who were there built up and down, cleaned, turned exhibits on in the mornings, presented works, tours etc.
14.05.18 - 04.06.18 Krakow Photomonth Group expo - 2 1 1 Yes, through Stroom Covered through Stroom No I was in a residency (Dockingstation), where part of what they offered was help with grant writing that covered the trip and expo. Other selected NL-based artists got a per diem from Mondriaan and a fee from provided by the festival.
04.02.18 - 25.03.18 Zilveren Camera / Museum Hilversum Award show - 2 0 1 No Prints (€250) No
15.02.18 - 23.02.18 ESAD, Valanciennes Group expo 350 0,5 0 0 - No No Fee offered up front.
23.11.17 Het Nieuwe Instituut Talk - 2 - 1 No - -
07.11.17 - 18.11.17 Blurring the Lines/College of Art, Paris Group expo - 0,5 0 0 No Publications x 20 (€100) No
16.09.17 - 29.10.17 Steenbergen Stipendium/Nederlands Fotomuseum Award show - 2 2 1 No No No First show after graduating. Was so humbled I didn't ask for anything, likely it would have looked differently if I’d known to ask about travel, transport etc. (that said I think it should be offered up front, esp from a museum of this size.) Great help from museum employees to build up.
TOTAL EARNED € 4125 148 days € 27,87 per day COSTS SUBSTRACTED € 3325 € 22,46 per day
Notes:
- Does not include grants, commercial work or awards.
- Working for free is fine imo if people involved are working voluntarily.
- There are some categorical differences between for example galleries and publicly funded institutions.
- The amount of days used on each project will surely differ from one person to another.
- 1 day = most of a normal working day (8 hours) is used on the project. I calculate a day per event (talks etc.) because they are usually more time and mind consuming on the day itself than their actual duration.
- The 'costs substracted' field doesn't include own travel and transport costs.
- This is not to expose or criticize individual institutions. Why I started logging the gigs was because there are such large often unexplainable gaps between each institution and each gig in terms of time spent and fees and I wanted to look at the numbers to try and understand better the differences to find tactics for fair(er) pay.
- I would like to see more fascilitators/intermediaries assume that artists need pay as well as covering of basic necessities such as transport, material costs, travel if required etc. That means being clear about fees and costs from the get-go and fascilitate a dialogue about expectations. I'd like to see more negotiation with budgets on behalf of artists.
- This grid is inspired by a few different sources, please feel free to adopt it and please share with me if you do.